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          <title><![CDATA[寺庙壁龛中的象头神雕像 | fyonetsu]]></title>
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          <title><![CDATA[#metal #bali | Sakino]]></title>
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          <title><![CDATA[蓝天背景下的金色象头神像 | fyonetsu]]></title>
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          <pubDate>Mon, 22 Jan 2024 01:20:21 GMT</pubDate>
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          <title><![CDATA[天空背景下的粉色象头神雕像与装饰底座 | mcnini]]></title>
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          <description><![CDATA[在 cizucu 免费下载由 mcnini 拍摄的高质量图片，内容为「天空背景下的粉色象头神雕像与装饰底座」。]]></description>
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          <title><![CDATA[寺庙墙面上的象头神伽内什浮雕与小神像 | fyonetsu]]></title>
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          <title><![CDATA[装饰墙面上的红色象头神伽内什壁画 | fyonetsu]]></title>
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          <title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></title>
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          <description><![CDATA[在cizucu上查看更多Nishikantsnaps的精彩作品。]]></description>
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            <media:title><![CDATA[In the crowded streets of Mumbai, the air trembles with chants, drums, and clouds of color during Ganesh Chaturthi. Amid the sea of people, the towering idol of Ganesha rises above the crowd, carried on countless shoulders that move together with devotion and love.  For days, Lord Ganesha is welcomed into homes and hearts as a symbol of hope, protection, and new beginnings. But this moment captures the most emotional chapter of the celebration—the farewell. As the idol moves toward the sea for immersion, the joy of celebration blends with the quiet sadness of letting go.  The raised hands, the colored smoke, and the intense energy of the crowd reflect something deeper than a festival. They reveal a powerful bond between faith and people. In this moment, thousands of voices chant together, not just to celebrate, but to express gratitude.  This photograph freezes a fleeting yet powerful emotion—the instant when devotion becomes both a celebration and a goodbye. A reminder that faith is not only about welcoming the divine, but also about trusting the cycle of return, where every farewell carries the promise of another beginning. | Nishikantsnaps]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Nishikantsnaps的精彩作品。]]></media:description>
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          <title><![CDATA[春日野園地と三社託宣池の冬景色  #春日野園地　#三社託宣池 #奈良公園　#早朝　#冬 #冬景色　#鹿　#リフレクション #朝日　#太陽　#青空　#水鏡 | ばつまる]]></title>
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          <description><![CDATA[在cizucu上查看更多ばつまる的精彩作品。]]></description>
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          <pubDate>Mon, 12 Feb 2024 18:32:26 GMT</pubDate>
          <atom:updated>2026-01-23T19:52:48+09:00</atom:updated>
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          <title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></title>
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          <description><![CDATA[在cizucu上查看更多Hiren Patel的精彩作品。]]></description>
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            <name>Hiren Patel</name>
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          <pubDate>Thu, 12 Mar 2026 18:28:23 GMT</pubDate>
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            <media:title><![CDATA[Immersed in the overwhelming Visarjan crowds at Girgaon Chowpatty, a moment of pure magic unfolded. After a heavy rain, the thick, misty air transformed the moody Mumbai night. Suddenly, brilliant light pierced from behind the towering idol of Bappa. To the naked human eye, the lingering moisture caught these massive 'god rays,' cutting through the gloom with striking, cinematic lines. This isn't just a trick of the lens; it’s the exact, breathtaking stillness my own eyes witnessed amidst the chaos. | Hiren Patel]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Hiren Patel的精彩作品。]]></media:description>
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          <title><![CDATA[秋の奈良公園春日野園地  #秋　#春日野園地　#奈良公園 #三社託宣池　#紅葉　#鹿 #青空　#リフレクション　 #奈良市　#楓 | ばつまる]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/hYdub7XzFUObtPRKvrjk</link>
          <description><![CDATA[在cizucu上查看更多ばつまる的精彩作品。]]></description>
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            <name>ばつまる</name>
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          <pubDate>Mon, 12 Feb 2024 16:58:52 GMT</pubDate>
          <atom:updated>2026-01-23T19:56:07+09:00</atom:updated>
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            <media:description><![CDATA[在cizucu上查看更多ばつまる的精彩作品。]]></media:description>
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          <title><![CDATA[All I can hear from this picture is the laugh of my best friend, Tanisha who's been by my side forever and who never fails to amuse me with her humour, creativity and kindness.  22nd March 2026 - Mumbai | Aditi Thakare]]></title>
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          <description><![CDATA[在cizucu上查看更多Aditi Thakare的精彩作品。]]></description>
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            <name>Aditi Thakare</name>
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          <pubDate>Tue, 17 Mar 2026 20:02:24 GMT</pubDate>
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            <media:title><![CDATA[All I can hear from this picture is the laugh of my best friend, Tanisha who's been by my side forever and who never fails to amuse me with her humour, creativity and kindness.  22nd March 2026 - Mumbai | Aditi Thakare]]></media:title>
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            <media:description><![CDATA[在cizucu上查看更多Aditi Thakare的精彩作品。]]></media:description>
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          <title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></title>
          <link>https://www.cizucu.com/zh-cn/photos/cu3LZEeOyIJhneSTLWrR</link>
          <description><![CDATA[在cizucu上查看更多Lucho Dávila的精彩作品。]]></description>
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          <pubDate>Mon, 30 Mar 2026 21:51:53 GMT</pubDate>
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            <media:title><![CDATA[Fanesca is an ongoing body of work about how people are shaped by place, history, and belief—and how they reshape them in return through image, dress, and ritual. Rooted in Ecuadorian folklore and contemporary fashion, it examines cultural identity, self-styling, and nostalgia under global influence, tracking how tradition adapts rather than disappears. The project takes its name from fanesca, an Easter dish that blends Indigenous practices with Spanish Catholic beliefs—an everyday metaphor for syncretism and survival.  In its current chapter, La Santísima Tragedia, I focus on the Mama Negra celebration in Latacunga: a living fusion of Indigenous, Spanish, and African cultural lineages. The fiesta—also linked to the Virgen de la Merced—draws on a local vow to honour the figure credited with stopping Cotopaxi’s eruption in 1742. By photographing the ceremony through the language of fashion, portraiture, and performance, I trace how communities carry memory, negotiate power, and build collective resilience—where culture becomes a social infrastructure in the face of change. Fanesca has been featured by Vogue, Forbes, Metal Magazine, Lula Japan, among others. | Lucho Dávila]]></media:title>
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