Foto Bus,OZEKI,adegan | Unduh Gambar Bebas Royalti & Resolusi Tinggi https://www.cizucu.com/id/explore/photos/bus%2COZEKI%2Cadegan id 2026-05-19T15:31:54+09:00 60 cizucu RSS Feed Generator © 2026 cizucu Inc. All rights reserved. id https://www.cizucu.com/assets/favicons/favicon.ico #080c4c <![CDATA[That afternoon, I turned a corner and met a slanting sunbeam—light and shadow dappled like a dream. It wasn’t merely a place touched by sunlight, but a realm where memory and imagination converged. And so, an unexpected encounter began. | Wesley Chiu]]> https://www.cizucu.com/id/photos/Q5Oger2OROH1eJZrlNc2 Wesley Chiu https://www.cizucu.com/id/users/fTNuN4tOGYgX3eJwlDOpAJj9tXk2 https://www.cizucu.com/id/photos/Q5Oger2OROH1eJZrlNc2 Fri, 26 Dec 2025 19:16:58 GMT 2026-01-17T23:31:20+09:00 https://cdn.cizucu.com/images/photos/Q5Oger2OROH1eJZrlNc2.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[The other Japanese toilet. I began photographing washiki toilets in 2019. Unlike standard sit-down toilets, squat toilets and their accompanying tiles can be vibrant, eclectic, and often unexpected. Image quality can suffer, though, due to low light and spontaneous capture, but I think it’s important to document them before they disappear. | Jodi]]> https://www.cizucu.com/id/photos/bCYHvf2zYlSwIo1U3yK0 Jodi https://www.cizucu.com/id/users/BjkHJuxHd5hBn23eauUtaYI8BK72 https://www.cizucu.com/id/photos/bCYHvf2zYlSwIo1U3yK0 Sun, 19 Apr 2026 20:55:43 GMT 2026-05-03T11:33:24+09:00 https://cdn.cizucu.com/images/photos/bCYHvf2zYlSwIo1U3yK0.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[There is nothing particularly outstanding about this photo in terms of composition or technique – but it represents the day I began to truly realise the importance of showing up. I find myself in a season I never would have guessed: leaving behind what I had built before and taking wobbly steps towards what I feel excitement for yet also insecure about. On that day in the photo, I witnessed that showing up and putting in the work enabled me to accomplish something new, something I felt in my heart was good work. The journey ahead remains very much a question mark, but this photo is a personal reminder that the humble act of showing up, putting in the work, on repeat, yields fruit. | poemsbywei]]> https://www.cizucu.com/id/photos/Se3lrtIAXIFRzgSjNDRu poemsbywei https://www.cizucu.com/id/users/jHET1UGt3QWo0XrWIYJG7sq3MUv1 https://www.cizucu.com/id/photos/Se3lrtIAXIFRzgSjNDRu Sun, 22 Mar 2026 22:48:21 GMT 2026-05-03T13:23:55+09:00 https://cdn.cizucu.com/images/photos/Se3lrtIAXIFRzgSjNDRu.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[G-Book is an ongoing photography project that began in 2016, exploring themes of female identity, body consciousness, and self-perception. Through intimate portraiture and conceptual imagery, the project examines the evolving narratives of womanhood. Most of my long-term projects have delved into themes of female, body consciousness and self-perception, incorporating visual textures such as scars, stretch marks, and skin as symbols of growth and transformation. By using natural light, deep contrasts, and experimental compositions, I aim to challenge conventional beauty standards while emphasizing the poetic essence of imperfection. This photograph is one of the works in the ongoing project G-Book. G-Book - MASTERPIECE, STEP BY STEP, YEAR BY YEAR. From the first line to the final session, she returned, healed, and returned again. Working with a master of traditional Taiwanese tattooing, a simple outline grew into a full-back composition. The piece is not only ink on skin, but a ledger of years—discipline, trust, and craft. G-Book 是一個自 2016 年開始的持續性攝影計劃，探索女性身份、身體意識與自我感知的主題。透過親密的肖像與概念性的影像，這個計劃檢視了女性氣質不斷演變的敘事。 我大部分的長期計劃都圍繞於女性、身體意識與自我感知的議題，並融入了疤痕、妊娠紋與肌膚等視覺紋理，作為成長與轉化的象徵。藉由自然光、強烈的明暗對比與實驗性的構圖，我試圖挑戰傳統的美學標準，同時凸顯不完美中所蘊含的詩意。 G-Book —— 歲歲年年 自第一筆至最後一次的刺青，她一次次回來，痊癒，再回來。與台灣傳統刺青大師合作，簡單的線條逐漸演變成整背的作品。這件作品不僅僅是皮膚上的墨跡，更是一份以歲月書寫的帳簿——紀律、信任與工藝。 這張照片是”G-Book“計劃中的作品之一 | shotbyje9_3]]> https://www.cizucu.com/id/photos/u6xSn3fkwJSSHC9JLUdV shotbyje9_3 https://www.cizucu.com/id/users/hmqEmG8wfhU70SggnLFpm5U0eVy1 https://www.cizucu.com/id/photos/u6xSn3fkwJSSHC9JLUdV Thu, 02 Oct 2025 13:37:24 GMT 2026-05-03T21:51:37+09:00 https://cdn.cizucu.com/images/photos/u6xSn3fkwJSSHC9JLUdV.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/KxmYJu8uTx7YorZUymnh Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/KxmYJu8uTx7YorZUymnh Thu, 07 May 2026 02:19:00 GMT 2026-05-07T02:20:37+09:00 https://cdn.cizucu.com/images/photos/KxmYJu8uTx7YorZUymnh.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/hIoi7PaTCs672IrajR0s Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/hIoi7PaTCs672IrajR0s Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/hIoi7PaTCs672IrajR0s.jpg?auto=format%2Ccompress&cs=srgb <![CDATA[在異地生活的過程中，常以第三者的視角觀看首爾街頭，尋找日常中有趣的畫面。 這件作品拍攝於韓國街頭。一個標示「禁止停車」的設施，其傾斜的姿態彷彿正在鞠躬。原本具有命令性的語言，在這個微妙的角度之下，被轉化為一種柔和而不具威脅性的提醒。 我將場域與細節並置，使這個擬人化的瞬間被放大觀看。然而，在這種看似溫和的表象之下，仍潛藏著另一層張力：一個帶有損壞痕跡的物件，仍維持著低姿態對外示意。似乎在提醒著我們「禮貌」不只是人際互動的形式，而是一種滲透於環境之中的文化機制。 當「禁止」以如此謙遜的形式出現時，它不僅沒有削弱約束，反而揭示了一種更深層的運作方式——規範並非透過強制，而是透過內化，使個體在不自覺中調整自身姿態。 在這樣的觀看之下，我開始質疑：我們是否也如同這個物件一般，在受損與不完整的狀態中，仍持續維持著一種被期待的姿態，以回應社會的目光與秩序。 During my time living abroad, I began to notice that “politeness” extends beyond human interactions—it is embedded in everyday objects and environments. This work was photographed on a street in Korea. A “No Parking” traffic cone, tilted in such a way, visually appears as if it is bowing. What is originally a directive—firm and restrictive—becomes softened through this subtle gesture. By combining a contextual wide shot with a close-up, I aim to highlight this anthropomorphic moment. The juxtaposition invites viewers to reconsider how rules are communicated—not merely as enforcement, but as a form of culturally embedded courtesy. Yet beneath this seemingly gentle appearance lies another layer of tension: a damaged object that continues to maintain a lowered posture, as if still performing its role. Through these lens, I begin to question: how are we shaped by our surroundings, and how do we, in turn, learn to negotiate boundaries with gentleness? Also, are we, like this object, continuing to perform expected forms of behaviour even in states of damage and incompleteness—quietly responding to the gaze and order of society? | Joanne Sun]]> https://www.cizucu.com/id/photos/KpT2BNd1rIgt88NrbYC6 Joanne Sun https://www.cizucu.com/id/users/V3yZQQPOmCV388zQun7pQGQnn1L2 https://www.cizucu.com/id/photos/KpT2BNd1rIgt88NrbYC6 Mon, 11 May 2026 14:50:49 GMT 2026-05-11T14:50:49+09:00 https://cdn.cizucu.com/images/photos/KpT2BNd1rIgt88NrbYC6.jpg?auto=format%2Ccompress&cs=srgb